List

NEW YORK TIMES AND USA TODAY BESTSELLER!

"I've loved every one of Susanna's books! She has bedrock research and a butterfly's delicate touch with characters--sure recipe for historical fiction that sucks you in and won't let go!"--DIANA GABALDON, #1 New York Times bestselling author of Outlander

A riveting and romantic journey through time, The Rose Garden drops a modern woman into the middle of a historical fiction novel when she's thrown back to 18th century Cornwall--only to find that might just be where she belongs.

After the death of her sister, Eva Ward leaves Hollywood and all its celebrities behind to return to the only place she feels she truly belongs, the old house on the coast of Cornwall, England. She's seeking comfort in memories of childhood summers, but what she finds is mysterious voices and hidden pathways that sweep her not only into the past, but also into the arms of a man who is not of her time.

Soon Eva discovers that the man, Daniel Butler, is very, very real and he draws her into a world of intrigue, treason, and love. Inside the old British house, begins to question her place in the present, she realizes she must decide where she really belongs: in the life she knows or the past she feels so drawn towards.

A brilliant escape that gives one woman the chance to time-travel and find her place in British history, The Rose Garden presents Susanna Kearsley's signature combination of romance and fascinating historical fiction at its very best.

Also by Susanna Kearsley:

The Winter Sea

The Firebird

A Desperate Fortune

Named of the Dragon

The Shadowy Horses

The Splendour Falls

Season of Storms

Mariana

Bellewether

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review 

“A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men.

As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages.

Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world.

WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD

An instant USA Today bestseller! From fan-favorite Scarlett St. Clair, the bestselling author of the Hades & Persephone series, comes a new fantasy filled with danger, darkness, and insatiable romance.

Their union is his revenge.

Isolde de Lara considers her wedding day to be her death day. To end a years-long war, she is to marry vampire king Adrian Aleksandr Vasiliev, and kill him.

But her assassination attempt is thwarted, and Adrian threatens that if Isolde tries to kill him again, he will raise her as the undead. Faced with the possibility of becoming the thing she hates most, Isolde seeks other ways to defy him and survive the brutal vampire court.

Except it isn't the court she fears most--it's Adrian. Despite their undeniable chemistry, she wonders why the king--fierce, savage, merciless--chose her as consort.

The answer will shatter her world.

A powerful debut novel, praised by The New York Times, Bustle, and Hypable, that pulses with humor and empathy as it explores the heart's capacity for forgiveness....

Zadie Anson and Emma Colley have been best friends since their early twenties, when they first began navigating serious romantic relationships amid the intensity of medical school. Now they're happily married wives and mothers with successful careers--Zadie as a pediatric cardiologist and Emma as a trauma surgeon. Their lives in Charlotte, North Carolina, are chaotic but fulfilling, until the return of a former colleague unearths a secret one of them has been harboring for years.

As chief resident, Nick Xenokostas was the center of Zadie's life--both professionally and personally--throughout a tragic chain of events during her third year of medical school that she has long since put behind her. Nick's unexpected reappearance at a time of new professional crisis shocks both women into a deeper look at the difficult choices they made at the beginning of their careers. As it becomes evident that Emma must have known more than she revealed about circumstances that nearly derailed both their lives, Zadie starts to question everything she thought she knew about her closest friend.

In this book, in a crumbling, isolated house at the foot of Mount Kanchenjunga lives an embittered old judge who wants to retire in peace when his orphaned granddaughter Sai arrives on his doorstep. The judge's chatty cook watches over her, but his thoughts are mostly with his son, Biju, hopscotching from one New York restaurant job to another, trying to stay a step ahead of the INS, forced to consider his country's place in the world. When a Nepalese insurgency in the mountains threatens Sai's new-sprung romance with her handsome Nepali tutor and causes their lives to descend into chaos, they, too, are forced to confront their colliding interests. The nation fights itself. The cook witnesses the hierarchy being overturned and discarded. The judge must revisit his past, his own role in this grasping world of conflicting desires - every moment holding out the possibility for hope or betrayal.

What if you could live again and again, until you got it right? 

On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. 

Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can -- will she?

Darkly comic, startlingly poignant, and utterly original -- this is Kate Atkinson at her absolute best. 

 

"A gorgeous, aching love letter to stories, storytellers and the doors they lead us through...absolutely enchanting."--Christina Henry, bestselling author of Alice and Lost Boys
LOS ANGELES TIMES BESTSELLER!
In the early 1900s, a young woman embarks on a fantastical journey of self-discovery after finding a mysterious book in this captivating and lyrical debut.
In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place.
Then she finds a strange book. A book that carries the scent of other worlds, and tells a tale of secret doors, of love, adventure and danger. Each page turn reveals impossible truths about the world and January discovers a story increasingly entwined with her own.
Lush and richly imagined, a tale of impossible journeys, unforgettable love, and the enduring power of stories awaits in Alix E. Harrow's spellbinding debut--step inside and discover its magic. 

 

A New York Times Book Review Editors' Choice

The New York Times bestselling author of The Weird Sisters returns with a striking and intimate new novel about three very different adoptive mothers who face the impossible question: What makes a family?

Though they look like any other family, they aren’t one—not quite. They are three sets of parents who find themselves intertwined after adopting four biological siblings, having committed to keeping the children as connected as possible.

At the heart of the family, the adoptive mothers grapple to define themselves and their new roles. Tabitha, who adopted the twins, crowns herself planner of the group, responsible for endless playdates and holidays, determined to create a perfect happy family. Quiet and steady Ginger, single mother to the eldest daughter, is wary of the way these complicated not-fully-family relationships test her long held boundaries. And Elizabeth, still reeling from rounds of failed IVF, is terrified that her unhappiness after adopting a newborn means she was not meant to be a mother at all.

As they set out on their first family vacation, all three are pushed into uncomfortably close quarters. And when they receive a call from their children’s birth mother announcing she is pregnant again, the delicate bonds the women are struggling to form threaten to collapse as they each must consider how a family is found and formed.

A National Book Foundation 5 Under 35 Honoree
NBCC John Leonard First Book Prize Finalist
Aspen Words Literary Prize Finalist
California Book Award First Fiction Finalist
Hurston/Wright Legacy Award Debut Novel Nominee
Longlisted for the Andrew Carnegie Medal for Excellence in Fiction & the Brooklyn Public Library Literary Prize
Named a Best Book of the Year by Vogue, NPR, Elle, Esquire, Buzzfeed, San Francisco Chronicle, Cosmopolitan, The Huffington Post, The A.V. Club, The Root, Harper's Bazaar, Paste, Bustle, Kirkus Reviews, Electric Literature, LitHub, New York Post, Los Angeles Review of Books, and Bust

"The debut novel of the year." --Vogue

"Like so many stories of the black diaspora, What We Lose is an examination of haunting." --Doreen St. Félix, The New Yorker

"A richly volatile study of grief, wonderment and love." --Sam Sacks, The Wall Street Journal

"A startling, poignant debut." --The Atlantic

"Raw and ravishing, this novel pulses with vulnerability and shimmering anger." --Nicole Dennis-Benn, O, the Oprah Magazine

"Stunning. . . . Powerfully moving and beautifully wrought, What We Lose reflects on family, love, loss, race, womanhood, and the places we feel home." --Buzzfeed

"Remember this name: Zinzi Clemmons. Long may she thrill us with exquisite works like What We Lose. . . . The book is a remarkable journey." --Essence

From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age--a deeply felt meditation on race, sex, family, and country

Raised in Pennsylvania, Thandi views the world of her mother's childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor--someone, or something, to love.

In arresting and unsettling prose, we watch Thandi's life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman's understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

One of the New York Times, Huffington Post, Buzzfeed, Cosmopolitan, Glamour, Redbook, Marie Claire, Essence, Houston Chronicle, LA Daily News, Nylon, and Elle's Books to Read This Summer

"A beautifully rendered novel of an Escobar-era Colombian childhood...Arresting..."
--The New York Times Book Review

Named a Most Anticipated Book of 2018 by Vogue, Entertainment Weekly, Buzzfeed, BBC, New York Post, GoodReads, Refinery29, Bustle, BookRiot, Nylon, Fast Company, The Millions

A mesmerizing debut set in Colombia at the height Pablo Escobar's violent reign about a sheltered young girl and a teenage maid who strike an unlikely friendship that threatens to undo them both

Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation.
When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways. But Petrona's unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls' families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal. 
Inspired by the author's own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricably linked coming-of-age stories. In lush prose, Rojas Contreras has written a powerful testament to the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.

"Original, politically daring, and passionately written--Fruit of the Drunken Tree is the coming-of-age female empowerment story we need in 2018."
--Vogue

NATIONAL BOOK AWARD FINALIST - Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection--a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands. 

"Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart."--Sandra Cisneros

WINNER OF THE AMERICAN BOOK AWARD - FINALIST FOR THE STORY PRIZE - FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION

Kali Fajardo-Anstine's magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado--a place that is as fierce as it is exquisite--these women navigate the land the way they navigate their lives: with caution, grace, and quiet force.

In "Sugar Babies," ancestry and heritage are hidden inside the earth but tend to rise during land disputes. "Any Further West" follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In "Tomi," a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, "Sabrina & Corina," a Denver family falls into a cycle of violence against women, coming together only through ritual.

Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Public Library - Kirkus Reviews - Library Journal 

"Sabrina & Corina isn't just good, it's masterful storytelling. Fajardo-Anstine is a fearless writer: her women are strong and scarred witnesses of the violations of their homelands, their culture, their bodies; her plots turn and surprise, unerring and organic in their comprehensiveness; her characters break your heart, but you keep on going because you know you are in the hands of a master. Her stories move through the heart of darkness and illuminate it with the soul of truth."--Julia Alvarez, author of How the García Girls Lost Their Accents

"[A] powerhouse debut . . . stylistically superb, with crisp dialogue and unforgettable characters, Sabrina & Corina introduces an impressive new talent to American letters."--Rigoberto González, NBC News

"A lush depiction of privilege and power, sex and stability . . . following three women in São Paulo . . . It Is Wood, It Is Stone is an elegant arrival of a new talent."--Elle 

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Good Housekeeping - Marie Claire - Harper's Bazaar - Publishers Weekly 

With sharp, gorgeous prose, It Is Wood, It Is Stone takes place over the course of a year in São Paulo, Brazil, in which two women's lives intersect.

Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda's unwavering and skilled maid, Marta, has more claim to Linda's home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda's instability. One day, Linda leaves home with a charismatic and beguiling artist, whom she joins on a fervent adventure that causes reverberations felt by everyone, and ultimately binds Marta and Linda in a profoundly human, and tender, way.

An exquisite debut novel by young Brazilian American author Gabriella Burnham, It Is Wood, It Is Stone is about women whose romantic and subversive entanglements reflect on class and colorism, sexuality, and complex, divisive histories.

A New York Times Editors' Choice

"[An] intelligent, funny, and remarkably assured first novel. . . . [Andrew Ridker establishes] himself as a big, promising talent. . . . Hilarious. . . . Astute and highly entertaining. . . . Outstanding." 
--The New York Times Book Review

"With humor and warmth, Ridker explores the meaning of family and its inevitable baggage. . . . A relatable, unforgettable view of regular people making mistakes and somehow finding their way back to each other." 
--People (Book of the Week)

"[A] strikingly assured debut. . . . A novel that grows more complex and more uproarious by the page, culminating in an unforgettable climax." 
--Entertainment Weekly (The Must List)

A Real Simple Best Book of the Year (So Far)

Named a Most Anticipated Book of 2019 by The Millions and PureWow

A vibrant and perceptive novel about a father's plot to win back his children's inheritance

Arthur Alter is in trouble. A middling professor at a Midwestern college, he can't afford his mortgage, he's exasperated his much-younger girlfriend, and his kids won't speak to him. And then there's the money--the small fortune his late wife, Francine, kept secret, which she bequeathed directly to his children.

Those children are Ethan, an anxious recluse living off his mother's money on a choice plot of Brooklyn real estate, and Maggie, a would-be do-gooder trying to fashion herself a noble life of self-imposed poverty. On the verge of losing the family home, Arthur invites his children back to St. Louis under the guise of a reconciliation. But in doing so, he unwittingly unleashes a Pandora's box of age-old resentments and long-buried memories--memories that orbit Francine, the matriarch whose life may hold the key to keeping them together.

Spanning New York, Paris, Boston, St. Louis, and a small desert outpost in Zimbabwe, The Altruists is a darkly funny (and ultimately tender) family saga that confronts the divide between baby boomers and their millennial offspring. It's a novel about money, privilege, politics, campus culture, dating, talk therapy, rural sanitation, infidelity, kink, the American beer industry, and what it means to be a "good person."

A mythic love story set in Trinidad, Ayanna Lloyd Banwo's radiant debut is a masterwork of lush imagination and exuberant storytelling—a spellbinding and hopeful novel about inheritance, loss, and love's seismic power to heal.

“Heartwarming and heartbreaking, fantastical and familiar, with characters that burrow their way into your heart and mind with their tragedies and triumphs, When We Were Birds more than sings, more than beams. It is the kind of story that makes you want to spread your arms open wide, embrace the sky, and take flight in your own little way."—Robert Jones, Jr., New York Times bestselling author of The Prophets

"A searing symphony of magic and loss, love and hope, where in the middle of death, love comes shiny, sparkling and alive. This book might just heal you."—Marlon James, New York Times bestselling author of Black Leopard, Red Wolf

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when the only job he can find is grave digging, he must betray the life his mother built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger.

Yejide and Darwin will meet inside the gates of Fidelis, an ancient and sprawling cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both.

An Indigenous woman adopted by white parents goes in search of her identity in this unforgettable debut novel about family, race, and history.

Finalist for the Governor General's Literary Award • “Engaging . . . Ruby never disappoints with her big heart and outrageous sense of humor—and her resilient search for her own history.”—The New York Times Book Review

“A passionate exploration of identity and belonging and a celebration of our universal desire to love and be loved.”—Imbolo Mbue, author of Behold the Dreamers

This is the story of a woman in search of herself, in every sense. When we first meet Ruby, a Métis woman in her thirties, her life is spinning out of control. She’s angling to sleep with her counselor while also rekindling an old relationship she knows will only bring more heartache. But as we soon learn, Ruby’s story is far more complex than even she can imagine.

Given up for adoption as an infant, Ruby is raised by a white couple who understand little of her Indigenous heritage. This is the great mystery that hovers over Ruby’s life—who her people are and how to reconcile what is missing. As the novel spans time and multiple points of view, we meet the people connected to Ruby: her birth parents and grandparents; her adoptive parents; the men and women Ruby has been romantically involved with; a beloved uncle; and Ruby’s children. Taken together, these characters form a kaleidoscope of stories, giving Ruby’s life dignity and meaning.

Probably Ruby is a dazzling novel about a bold, unapologetic woman taking control of her life and story, and marks the debut of a major new voice in Indigenous fiction.